It seems like today's popular books, TV shows, and movies are all about vampires. Sparkly and non-sparkly, the couples I mentioned earlier - from the Twilight Series, the Southern Vampire Mystery Series, and the Vampire Kisses series, respectively - all have the same basic premise: a human girl falls (usually pretty darn hard) for a male vampire, then proceeds to get into all sorts of shenanigans because of the male vampire.By "shenanigans," I mean that the human girl is pursued by other vampires because of her relationship with the male vampire. For example, Twilight's Bella is chased all over because her blood "smells good" to other vampires, which she would never have come into contact with except that her boyfriend happens to be a bloodsucker as well. Similarly, Vampire Kisses' Raven is pursued by Alexander's rivals for various reasons, from one being in love with her to another believing that she is actually a vampire to another blaming her for something beyond her control.
But let's take a little trip back to look at the origins of the vampire in literature.
Though he didn't invent the vampire - not by a long shot - Bram Stoker, an Irish author, is widely attributed with setting off the popularity of the vampire in modern literature. Count Dracula was based on a wide variety of oral legends and historical fact. One legend that Dracula was based on was the Irish stories of the sidhe, which, according to Wikipedia's Dracula article, included some blood-drinking women.But the legends aren't as interesting as the historical people on whom Dracula's legend was based.
The most widely-known of the references is Vlad III Dracula, also known as Vlad the Impaler. Mr. the Impaler is believed to have killed between 40,000 and 100,000 European citizens by impaling them upon sticks. "Dracula" here is a name that means "son of Dracul," a name earned by his father Vlad II Dracul who was inducted into the Order of the Dragon (a secret society from which the name "Dracul" or "dragon" was derived.)
The second reference, not as widely known and only speculated at by literary analysists, is a Hungarian woman known as Countess Elizabeth Bathory, who killed between 36 and 700 young women during her lifetime - reportedly in order to "bathe in their blood" to preserve her youth and beauty. Bathory was featured in the video game slasher film Stay Alive, where many readers might remember her from.
The vampire in literature therefore comes from a very bloody and violent background. Very Halloween-appropriate. But when it comes to today's popular romantic literature, the background of the vampire starts making a person wonder what the heck happened.
Vampires represent the most bloody, selfish and senseless violence in literature: men who kill those he finds troublesome or useless, women who care only for their own beauty and youth.But that selfishness in itself may be represented in the selfishness of the heroines.
In Twilight, Bella leaves behind her mother and all of her friends when she becomes a vampire, only contacting her father because she has a child. In Vampire Kisses, Raven wants nothing more than to become a vampire, despite Alexander's warnings that it's not as fun as it seems.
Growing up in the "Me" generation, I know that most people my age think of little beyond their own instant gratification, and the latest wave in popular books only tells me that it's not going to end any time soon.
If one of my siblings ever developed a possibly terminal illness like cancer, I think I'd be a little like Annika, the protagonist of Just One Wish. I'd want to be able to do anything to make them happy, so that their time left was nice.
YA thriller mastermind Caroline B. Cooney explores the topic with her newest release,